Living the Dream

This blog is a project for my American Humanities Class this semester. A few of the posts will be papers assigned for the class, while other posts will just be some of my thoughts about my favorite aspects of American Humanities. Go America!

Friday, November 26, 2010

Crackin' the Top 100

Several years ago, National Public Radio picked the 100 most important American musical works of the twentieth century. Here are three of my favorites:

1. Samuel Barber’s “Adagio for Strings”

This piece has been labeled by many as the saddest song in the world—the “funeral” song. From its opening chords to its powerful, melancholy climax this piece masterfully portrays a sense of serene sadness. I have heard this song countless times, and every time I listen to it I am blown away by the simple beauty of the deep chords and flowing melodies. String instruments are unique in their ability to produce such inspiring, touching music and Barber’s decision to use only strings was perfectly made.

As such a moving, emotional song it has been used in many films, which the NPR clip discusses. Two of the most prominent films that used this piece are “The Elephant Man” (1980) and “Platoon” (1986). I watched the clips of the films that showcase this piece and both were powerful in their usage of this music. In the scene from “Platoon”, a group of American soldiers fighting in Vietnam board a

helicopter for safety and fly away. As they are ascending, they notice a fellow American soldier and friend left behind. He is running away from the enemy and as he runs, the song begins playing and the shot jumps back and forth from the men on the helicopter to the soldier running and dodging bullets below. Eventually he is shot in the back several times and falls to the earth, but not before raising his hands in the air, as if he were praying. It is at this moment that the Barber “Adagio” reaches its climax and the melancholy hope in the music mirrors closely the soldier’s fate. He dies, which is horribly tragic, but it is also hopeful as it provides an end to the meaningless fighting and suffering that he has had to endure. Barber will forever be remembered for this powerful work.

2. John Cage’s “4:33”

I had heard of John Cage prior to listening to this clip about “4:33”, but I knew little beyond the fact that he was a very avant-garde modern composer. He challenged what the world thought concerning the definition of music, and “4:33” is a perfect example of this. To have the audience simply listen to silence was bold and beautiful—there is so much noise around us all the time (even when we’re trying to be quiet) and isn’t that exactly what music is? Cage was brilliant in his recognition of this, and the modern music scene in twentieth-century America provided a perfect environment for him to channel these inspirations.

“4:33” is divided up into three movements. The first is thirty seconds long, the second two minutes and twenty-three seconds, and the third one minute and forty seconds. Of course no instrument is played during any of the movements, but it makes me wonder why or how Cage determined the length of each movement. Perhaps this was just another way of introducing an element of randomness into the song. Like other modernists of the day, Cage worked to present music in its raw form, free from personal and societal influence. His “4:33” is an American masterpiece because it accomplished this perfectly- you can’t critique silence.




3. George Gershwin’s “Rhapsody in Blue”

Although I began playing the piano when I was seven years old, it was not until my early teenage years that I was introduced to the piano music of George Gershwin. I was instantly drawn to it because while it contained many elements of classical piano music that I had come to love, it was jazzier, more fun. This fusion of classical and jazz is a trademark of Gershwin’s work, and the NPR clip on Gershwin mentioned that he was further influenced by the tunes of Tin Pan Alley. A fascinating part of his music (which is especially apparent in “Rhapsody in Blue”) is the way it conveys a feeling of the hustle and bustle of New York City life.

The mere composition of such an enduring piece is enough to label Gershwin as a musical genius, but the fact that he composed the piece in three weeks leaves no doubt. Furthermore, he was only twenty-five

years old at the time. “Rhapsody in Blue” is an American staple because it is so American—it’s upbeat, original, and catchy. I love the way it bounces back and forth from theme to memorable theme. The radio clip mentioned that one of the major critiques of “Rhapsody” was that it didn’t follow an acceptable musical structure, but this is precisely why it was such a remarkable piece. It followed its own form, reflecting the changing scene of early twentieth-century American music.

Monday, November 15, 2010

Ansel Adams (1902-1984) was a well known American photographer and environmentalist. Most of his pictures feature landscapes of the Western United States. The three below, all of which feature spectacular mountains, are some of my favorites.

Tetons and the Snake River

I’ve always loved the mountains. Whether this is because I’ve been blessed to grow up in Utah and be surrounded by mountains, or whether it is just an inherent part of who I am I don’t know, but regardless, there is definitely something moving and majestic about mountains. The mountain peaks ascend toward heaven, cutting the sky and announcing their dominion over the landscape below. This photograph showcases the majesty as light appears to be beaming from behind the mountain peaks. Additionally, the river, an outgrowth of the mountain from which it originated, winds through the valley floor almost like an arm of the mountain, extending its influence far away. The textures of the photograph are also compelling, from the glassy ripples in the river to the soft speckles of the trees.



Yosemite Valley, Thunderstorm

There are few things in life that merit the description of “epic”—this picture is one of them. From the sweeping diagonal of the trees, to the jagged mountains and the white line of the waterfall, this picture powerfully demonstrates the majesty of nature. I believe Adams chose to take his pictures in black and white because it allows for deeper contrasts and accentuation of the textures.





Mount Williamson, the Sierra Nevada, 1945

Although the focus of the picture is a mountain, it’s interesting that the boulders at the front of the picture are so prominent. They have an authentic, ennobling quality. Mountains are important, but equally important are the boulders that help form them. I also really like the cloud formations and the way the light plays such a big part of the rocky landscape.